THE GOOD LIAR – FASTEN YOUR SEAT BELTS. IT’S GOING TO BE A BUMPY NIGHT
- Mar 4
- 4 min
The Killer - With Sequences Like These, Who Needs Acts?
- Nov 6, 2023
- 3 min
Hud - This Plot Is Not Big Enough For The Two Of Us
- Jun 8, 2023
- 5 min
Three Days Of The Condor - Mining Zeitgeist For Suspense
- Apr 19, 2023
- 4 min
Red Rocket – No Arc, No Problem
- Apr 7, 2023
- 4 min
Vengeance - Beware The Meandering Tone
- Mar 21, 2023
- 4 min
Emily The Criminal - Setting as Subtext
- Mar 21, 2023
- 5 min
Midnight Run - It's The Relationship, Man
- Mar 21, 2023
- 4 min
Snatch - Parallel Plots
- Mar 21, 2023
- 4 min
The Bourne Identity - That Escalated Quickly
- Mar 20, 2023
- 6 min
Point Break (1991) - Setups, Payoffs, and Presidential Characters
- Mar 20, 2023
- 6 min
Sexy Beast – Questions as Structure, Goals as Stakes
- Mar 20, 2023
- 4 min
Kiss Kiss Bang Bang – Romance Wrapped In Bromance
- Mar 20, 2023
- 4 min
The Sting – Trust The Theme
- Mar 20, 2023
- 5 min
In Bruges - Expected Elements In Unexpected Ways
- Mar 20, 2023
- 4 min
The Fugitive - Soul Resolves Plot
- Mar 20, 2023
- 4 min
A History Of Violence - A Screenplay Structured Around Questions
- Mar 20, 2023
- 4 min
Out Of Sight - Character/Dialog/Charm