THE GOOD LIAR – FASTEN YOUR SEAT BELTS. IT’S GOING TO BE A BUMPY NIGHT
The Killer - With Sequences Like These, Who Needs Acts?
Hud - This Plot Is Not Big Enough For The Two Of Us
Three Days Of The Condor - Mining Zeitgeist For Suspense
Red Rocket – No Arc, No Problem
Vengeance - Beware The Meandering Tone
Emily The Criminal - Setting as Subtext
Midnight Run - It's The Relationship, Man
Snatch - Parallel Plots
The Bourne Identity - That Escalated Quickly
Point Break (1991) - Setups, Payoffs, and Presidential Characters
Sexy Beast – Questions as Structure, Goals as Stakes
Kiss Kiss Bang Bang – Romance Wrapped In Bromance
The Sting – Trust The Theme
In Bruges - Expected Elements In Unexpected Ways
The Fugitive - Soul Resolves Plot
A History Of Violence - A Screenplay Structured Around Questions
Out Of Sight - Character/Dialog/Charm